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You often (to me) depict a spontaneous, uncontrollable moment in your images, the moment of orgasm/ecstasies, but with excruciating detail – how do you preserve the feeling of sensation in what must be a lengthy process? That’s a fantasy come true, if you could travel back and forth between different periods knowing that you can return to the present. A Woody Allen film ‘Midnight In Paris’ that came out a few years ago: for some reason, a lot of people I know didn’t like it, but I LOVED it. I still love a lot of the things I loved as a teenager like period films. I have always been fascinated by history and period fashion ever since I was little, watching old films and documentaries on TV. I guess it’s the fantasy, the romance of the past that attracts me. I often draw inspiration from different cultures and past eras. They’re not commissioned by designers or magazines for specific collections. For my own work, I create images inspired by things that I love.
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It was a good match I had great fun working with them. Their work is beautiful they also often draw inspiration from different cultures too. It was such a great experience working with the girls they were amazing they gave me a lot of space for creativity. My drawings are not really fashion illustration although I have done some editorial stuff for magazines, and I worked as a fashion illustrator for a while I was Marchesa’s illustrator for several years. What is your relationship to (visual) history? How did studying at a hybrid fashion/art school such as Central Saint Martins influence this relationship? show you refer past architectural styles and propositions. What is your relationship to fashion illustration? It seems you use the form as an inquiry into past eras and style histories.